Ken Shung - fine art photography prints, Helen Jones-Florio Gallery
Ken Shung - fine art photography prints - is an award-winning photographer who lives and hails originally from New York City. His career began by assisting Annie Leibovitz, whilst at Rolling Stone magazine print spotting for Irving Penn, and free-lancing for Bill King and Bob Richardson. Since then, Ken has exhibited in the US and internationally.
Ken Shung, streetlife, NYC, color, colour, abstract, interior design, home styling, parasols, wall art, decor, art, photography, prints, limited edition, large format, black and white, flora, flowers, nature, blue, Paris, Eiffel Tower, NYC, New York, fairground, China, Mariachi, Brooklyn Bridge
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Ken Shung

About This Project

 

Ken Shung fine art photography prints – ‘Black and White Series’
The World is my Studio
'I have been making photographs since I was 17 years old, so after putting over 30,000 hours into this, I still find it to be something that makes me feel magical at the moment I snap that shutter at something that moves me emotionally in an event or interacting in a portrait sitting' Ken Shung.
Buy Prints – everything you need to know + prices, sizes, and editions. Or, contact the gallery: helen@helenjonesflorio.com 

All of Ken’s fine art photography prints – black and white, color Flora, & Parasols Series  – Gallery #2 – are in editions of 25

Printed by the artist on Epson Exhibition Fibre Paper, signed and titled on the front of the print.


 

To view a wider range of Ken’s fine photography prints, available to purchase, check out his color work in Gallery #2

Ken Shung photography - image of a triptych from the 'Flora Series' of color prints - blue

@Ken Shung – triptych ‘Flora Series‘  – images are available as individual prints

 

Follow @florio_gallery on Instagram for daily photo updates from all the gallery photographers

 

PLEASE NOTE: Framed prints are examples only. All of our prints are shipped unframed

'I have been making photographs since I was 17 years old, so after putting over 30,000 hours into this, I still find it to be something that makes me feel magical at the moment I snap that shutter at something that moves me emotionally in an event or interacting in a portrait sitting'